I was able to sense all three from its EGX demo as well. Samorost is a bit lighter, but the drawn style of it was a huge inspiration." From there, I started playing Little Nightmares and Samorost. "For me, seeing an art style used to that atmospheric effect was really inspiring, and made me realise that my work was applicable to that kind of arena as well, which was good. At this point, the pair also started discussing their game inspirations as well, and "unsurprisingly, one game that had a massive influence on both of us was Limbo," he says.
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About two days later we were having a meeting discussing potential projects, and that's when I started showing him my series that I was working on at the time, which was a watercolour series of my characters drowning in this big abyss."Īs fate would have it, the drawing that caught Clarke's eye the most was called "Silt", and after that "we started working pretty quickly on it," Mead continues. He was a research scientist looking for an artist, and I was, at the time, looking for a programmer, so we met in the middle at exactly the right time. "During that time, I ended up meeting Dom, who is the other co-founder of Spiral Circus. But it's his other great fear, thalassophobia - a fear of open water and deep underwater spaces - that really brought the game to life. Mead also speaks about being inspired by early Tim Burton, citing his The Melancholy Tale Of Oyster Boy as being a particular favourite, as well as pen and ink artist Edward Gorey and Australian illustrator Shaun Tan. It's not just a fear of Beatrix Potter that's fuelled the creation of Silt, however.
Then again, his fox character has "travelled a lot over the years", and having clapped eyes on some extra, currently unseen artwork for Silt during his EGX talk, you may well be swimming by some statues of him when the game launches on Steam early next year. "The scope was way too big for the team that we had, and the project got canned," Mead revealed.
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Visually, this monochrome horrorscape has a lot in common with Silt, although Mead says he's since learned how to adapt his detailed and time-consuming art style to something that's a bit friendlier for making games in order to "basically not kill the project with my vast amounts of cross-hatching!"Īlas, Foramina never made it further than that initial 2016 demo.
Indeed, you may recognise Mead's fox character from the last time he dipped his toes into game development with his short point and click project Foramina. Over the years, though, I realised that this was one of my main things that fuelled my characters, and the fox man character, I started drawing him and he became my main character for years." "I blame my mum entirely because she made me and my sister watch this horrible ballet when I was a kid, and I still haven't watched it since then. "The main influence to any of my work is good old Beatrix Potter, believe it or not," Mead continues.
And yet the origins of this strange, watery tale stem from a far more innocuous source of inspiration. Hand drawn by Mead using a simplified version of his signature cross hatching and fineliner penmanship, Silt instantly calls to mind the likes of Limbo and Inside. Piranhas can chomp through chains and ropes, for example, while hammerhead sharks can help bash crumbling walls to create new pathways.
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First announced at the PC Gaming Show earlier in the year, Silt is a surreal 2D puzzle game in which you play a mysterious diver who can project their soul through the window of their diving helmet to possess nearby fish. I'm listening to him talk about the making of his latest game, Silt, at EGX 2021.
"I have a phobia of animal suits, and I have done my entire life," says surreal artist and Spiral Circus' co-founder Tom Mead.
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